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Compressor side chain parameters - Sidechain compressor logic pro x free
As such, this meant there could be a distinction between the signal being processed and the signal being used to drive the signal processor like a compressor. The classic contemporary examples of sidechain would be the aforementioned French-style EDM compression, where a kick drum is fed to the sidechain input of a compressor, while the rest of the mix or a large proportion of it is fed through the main inputs.
The result creates a unique pumping effect, where the presence of the kick attenuates the rest of the track. With both the Noise Gate and AutoFilter plug-ins, this works in close conjunction with a Threshold control. The Gate, for example, is opened and closed in relation to the sidechain hitting a given threshold, whereas the AutoFilter uses the threshold to trigger a pre-programmed ADSR envelope setting.
Establishing the sidechain routing is therefore just the beginning, as you need to be clear on how to tweak the plug-in or instrument to hear the effect in action. One of the key benefits of sidechaining is its ability to make a mix more dynamic and even more importantly, create space in a mix. This probably goes a long way to explain why the effect is so popular in EDM music, where big synths and equally expansive reverbs can eat up the soundstage with just a few instruments.
Having understood some of the basics, the walkthrough details several practical examples of sidechaining in action that can hopefully inspire you to think about how you might want to apply the technique in your productions. Choose Peak or RMS to determine whether signal peaks or a signal average is used for detection.
These can help with avoiding artifacts such as clicks in the processed signal, depending on the type of audio material and parameter settings notably Attack. Filter buttons: Turn the filter on or off. What sidechain compression does, is every time the kick drum hits, the bass sound will become quieter. Once the kick drum hit is over, the bass sound will become louder again until the next kick. Now, when heard on its own, the bass track may sound weird as it will continually be getting quieter and louder, but within the context of the song, it will be less noticeable and allow for the kick to hit harder.
To use sidechain compression in Logic, place a compressor on the track that you want to become quieter every time the second track plays. In the example above, it would be the bass track or bass Summing Stack. Next, open up that compressor and find its sidechain settings. Click the drop down menu and a list of the tracks in your session will appear. Then select the track with the sound you want to trigger the compression. In our example, this would be the kick drum track. The two tracks will now be linked.
Before the days of de-essing plugins which are now incredibly handy, you could make a de-esser by sidechaining an EQ to a compressor. Sibilance is really noticeable somewhere between 4 and 7 kHz, but you can also use a de-esser or a makeshift, sidechained one to tame some of the harshness of a vocal track. Sometimes setting a de-esser somewhere between 1 and 2 kHz can mellow out a harsh voice. If you find your vocals buried under a mountain of instruments, you might try sidechain compression to solve the problem.
For example, you might put a compressor on the guitars and keyboards, using the lead vocal track as the sidechain input. Every time the lead vocals play, the keyboards and guitars will duck into the mix, leaving space for the vocal.
If you feel as though your kick drum is a little anemic, giving it a boost with a sine wave is a common technique. You start by setting up a sine wave generator on a new track. Somewhere between 20 and 60 Hz is typical, but be weary of adding too much sub as you approach March 5,
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